Listen to this Spotify playlist of a few of the tracks I've mastered:

 

“SICK. I love it. Just amazing. Seriously great. You brought the energy and focus that it needed. I love the texture and the imaging even feels better. Kudos. I'm a little stunned, I like it so much…”

— Thom Monahan LINK

 
 

“Absolutely Fucking. Killer. I am incredibly grateful for your masterful (no pun intended) work. 

Thank you, like I’ve said before the vision of this record is really brought to life 10 fold now. I am 100% happy with it and I appreciate you putting up and working with all my notes. “

— Jon Wiilde LINK

 
“Hey Eric! Thank you SO much for this! My eyes actually watered as I listened to this, and that's a really good sign haha. It sounds soooo good!!! WOW.“

— Marlene LINK

 
 

Always master at Broyhill Masters. Always.

— Kris Anaya, Doombird LINK

 
 
 

"Special thanks to Eric Broyhill for beautifully mastering this record. Eric is a genius at what he does and I can’t wait for him to master the next one. "

— Bryan Elijah Smith LINK

 
 
 

“IT. SOUNDS. SO. GOOD.

Thank you x a Million! Seriously though, holy cow. It sounds so good “

— Jacob Cummings LINK

 
“Hi Eric!
I want to thank you again for the collaboration, everyone who heard the album is really happy with the end result. Hope to work again with you in the near future! “

— Daniel Ivanov LINK

 
 
new studio pano pic.jpg

_THE STUDIO

After a tireless year of shooting-out different speaker options, I tuned this room around a pair of 116 kg (256 lb) Focal Maestro Utopia monitors. This room was built utilising a secondary resonating wooden shell that floats against a strategically placed layer of fiberglass, designed precisely to even out the lo-frequency response of the room.

I have also spared no expense in the most artful collection of Vintage Tube and state-of-the-art Digital processors I could find. To keep things interesting, I’m always fine-tuning, trying out new ideas, and all around just experimenting with sound.

All bullshit aside, the studio is nothing more than a creative tool. Like a great song, the true source of any great master is the ear.

For those interested in learning more, I highly recommend reading; Sound Reproduction - Loudspeakers and Rooms, by Floyd Toole

The true source of any great master is the ear.”
— Eric Broyhill - Senior Mastering Engineer